Along with saxophonist Glenn Wilson and bassist William Koehler, Vayo will perform jazz and free improvisations on February 8 at Illinois Wesleyan University, including the world premiere of Portal. The trio will repeat the program at Illinois State University on February 14.
Shakuhachi virtuoso Shawn Head and Vayo will perform improvisation concerts in Houston and at Illinois Wesleyan University during the 2018-19 season.
In the fall of 2019, harpsichordist Michiyo Honma‘s Tokyo concert will include the world premiere of a composition by Vayo for voice, koto and harpsichord, on poetry by Kijima Hajime.
Ensemble GNU performed Vayo’s Poem during their November concert in Rio de Janeiro.
Members of the Little Giant Chinese Chamber Orchestra under the baton of Chen Chih-Sheng premiered Ceremony of Yearning for fifteen instruments at the National Recital Hall in Taipei, Taiwan on June 8.
Vayo helped coordinate Many Voices, Many Sounds: A Concert for Tolerance and Compassion on March 28 at Illinois Wesleyan University. He and baritone saxophonist Glenn Wilson performed Cuando Vuelva a Tu Lado/ What a Difference a Day Makes by Mexican immigrant composer María Grever, and Vayo played an improvisational piano fantasia on Qudud Halabiya, a well-known melody from the besieged Syrian city of Aleppo.
Sandlot for two trumpets and percussion was performed during the New Music Festival of Ball State University (Indiana) on March 18.
Vayo premiered Aura for synthesizer at Illinois Wesleyan University on March 9.
Harpsichordist Michiyo Honma‘s concert in Tokyo on Feb. 20 included the world premiere of Dream Cartoon for violin, cello and harpsichord along with performances of Scuttlings and Scramblings (with Thomas Piercy, clarinet) and Play of Hands.
Trombonist Mark Hetzler‘s new CD Dig. includes Vayo’s Entelechy for trombone, keyboards, bass and drums/percussion, which was commissioned by Hetzler and the University of Wisconsin. The CD was released on Summit Records, a well-known label featuring music for brass instruments.